Music and Horror – Mad Fiends With Violins
Strange Bedfellows Music and horror have been intimate partners bent on emotional sabotage since the silent film era of the mid-1890s to the late 1920s. F.W. Murnau’s Nosferatu (1922), Georges Méliès Le Manoir Du Diable (House of the Devil) (1896), Victor Sjöström’s The Phantom Carriage (1921) all incorporated and relied on music to lure their … Read more